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Tag: Anambra

An Igbo man from Achala, p.d. Anambra State, photographed by British colonial government anthropologist Northcote Thomas, 1910-1911. Museum of Archaeology and Anthropology, Cambridge.

The Name “Anambra” Is Not New: A Look at Its Indigenous and Colonial Origins

An Igbo man from Achala, now in Anambra State, was photographed by British colonial anthropologist Northcote Thomas between 1910 and 1911. The photo is kept at the Museum of Archaeology and Anthropology in Cambridge. Many believe "Anambra" is a recent invention created during Nigeria's post-colonial period. However, historical records prove that variations of the name—such as…

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The Legacy of Ndi Mgburichi Jumieka: Igbo Social Hierarchy and Resistance in Jamaica

Photo by @rootinnajumieka on Instagram The legacy of Igbo culture in Jamaica is an integral part of the island’s history, especially during the slavery era. The famous Igbo saying, “Igbo enweghi eze”—meaning “The Igbo have no king”—aptly captures the egalitarian nature of the Igbo people, both in their homeland and in the diaspora. Despite lacking centralized…

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Cultural Artifacts of Igbo Society: Ikenga and Ofo

The Igbo culture of Nigeria is rich in symbolism and traditional artifacts that reflect its worldview, spiritual practices, and societal structure. Among these artifacts, the Ikenga and Ofo stand out as powerful representations of personal achievement, moral authority, and spiritual connection. This article explores these artifacts using historical photographs and the cultural context in which…

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Traditional Igbo Tattooing: A Cultural Expression of Identity and Womanhood

Traditional tattooing in Igbo society was more than mere body decoration; it was a deeply symbolic and significant practice, tied to rites of passage, identity, and artistry. The custom of facial and body tattooing, particularly among Igbo women, reflected cultural values, beauty ideals, and societal roles. This practice, which often involved cicatrisation, is most famously…

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The Representation of Igbo Women in Early Colonial Photography: A Focus on Northcote Thomas’s Work

An Igbo woman photographed by Northcote Thomas, Onicha Olona, 1912. The Igbo people, one of the largest ethnic groups in Nigeria and Africa, have a rich cultural heritage that has been documented through various mediums. Among these are the photographs of Igbo women captured by British anthropologist Northcote Thomas between 1910 and 1911 during his ethnographic…

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Igbo Compound Entrances: A Study of North-Central Igbo Architecture

The architecture of the Igbo people offers unique insights into their cultural heritage, artistic creativity, and spiritual beliefs. Among the most distinctive architectural features are the entrances to Igbo compounds, particularly in the north-central regions. These entrances are not only functional but also symbolic, encapsulating the aesthetics and cultural identity of the Igbo community. Igbo compound…

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