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Bajan Folk Music About Jaja of Opobo

Jaja of Opobo
Jaja of Opobo. Photo: Barbados Museum & Historical Society

Jaja of Opobo (1821-1891) was a significant historical figure known as the King of Opobo, a town in present-day Nigeria that played a crucial role in the African palm oil trade. His leadership and resistance against British trading monopolies led to his exile in 1888. He was first sent to Grenada and later moved to Barbados in 1891 due to his deteriorating health. Unfortunately, King Jaja passed away on July 7, 1891, while on his way back to Opobo. His brief time in the Caribbean left a lasting impact on the black communities of Grenada and Barbados.

One of the most interesting cultural legacies of King Jaja’s time in Barbados is the Bajan folk music that references him. A popular folk song includes the line: “King Ja Ja won’ leh Beka lone…” This phrase has been passed down through generations, though the identity of “Beka” remains uncertain. The song reflects how deeply King Jaja’s presence resonated with the people of Barbados and how his story became woven into local oral traditions.

Who Was Jaja of Opobo?

King Jaja was born in 1821 in Igboland, present-day Nigeria. As a child, he was born into slavery to an Aro trader named Odiari, who was a member of the Opubo House of Anna Pepple (Annie Pebble). Despite his status as an enslaved person, Jaja became involved in the palm oil trade and proved to be highly skilled in business. His success led him to rise through the ranks, eventually gaining his freedom and becoming the leader of the Bonny Rehouse.

In 1869, following conflicts in Bonny, Jaja moved to the Andoni region and established the Kingdom of Opobo. Under his leadership, Opobo became a dominant force in the palm oil trade. His ability to control trade routes and negotiate directly with European merchants threatened British economic interests, particularly the Royal Niger Company’s monopoly on the African coast.

Conflict with the British and Exile

King Jaja’s refusal to allow British traders unrestricted access to Opobo’s palm oil trade led to growing tensions. In 1887, he was invited to a meeting by Consul-General Henry Johnston under false pretences. When he arrived, he was forcibly taken prisoner and charged with obstructing British trade. He was tried in Accra and sentenced to five years in exile. The British feared his influence among the Niger Delta states, so they decided to send him far from Africa, placing him in exile in the Caribbean.

Jaja was first sent to Grenada in 1888, where his arrival caused much public excitement. He was then transferred to St. Vincent, where he spent three years petitioning the British government to allow him to return to Opobo. His requests were ignored, but concerns about his deteriorating health prompted authorities to move him to Barbados in March 1891.

King Jaja’s Time in Barbados

During his brief stay in Barbados, Jaja lived at Walmer Cottage on Two Mile Hill. His presence created great interest among the local black population. People gathered in crowds to see him whenever he visited public places, such as the House of Assembly and the Merchant’s Exchange. The fascination with Jaja stemmed from his status as an African king and his resistance against British colonial rule.

Despite the warm reception he received from the people of Barbados, Jaja’s health continued to decline. Medical reports from the time indicated that his condition had worsened due to prolonged exile and stress. On May 11, 1891, the British authorities finally permitted him to return home. He left Barbados on that day, believing he was heading back to Opobo. Unfortunately, he passed away on July 7, 1891, while his ship was docked at Tenerife.

Legacy and Influence on Bajan Folk Music

The news of King Jaja’s death saddened the people of Opobo, and his chiefs successfully petitioned for his body to be returned home for a ceremonial funeral. However, his story did not fade away. His resistance against British imperialism and his exile in the Caribbean remained important narratives in African and Caribbean history.

In Barbados, folk songs about King Jaja kept his memory alive. These songs passed down through generations, celebrate his strength and resilience. The lyrics of the Bajan folk song referencing Jaja suggest that he was a figure of admiration and respect among the local population. While the exact meaning of the lyrics remains unclear, the very existence of the song shows how Jaja’s story became interwoven with Barbadian culture.

King Jaja of Opobo’s legacy extends beyond Nigeria and the African continent. His time in the Caribbean, particularly in Barbados, left a lasting impact on the local population. His defiance against British colonial forces made him a symbol of resistance, and his story was preserved in Bajan folk music. Even today, the echoes of his presence can still be found in Barbados’ oral traditions and historical records.

For those interested in learning more about King Jaja’s extraordinary life, additional details can be found in “Rekindling the Ancestral Memory: King Ja Ja of Opobo in St. Vincent and Barbados, 1888-1891” by Edward L. Cox, a pamphlet published by the Barbados Museum & Historical Society.

Bajan folk music about Jaja of Opobo. Credit: Bajanmusicfan

References

  • Barbados Museum & Historical Society. (2015, May 11). King Jaja of Opobo in Barbados.
  • Ukpuru. (2016, February 21). Bajan folk music about Jaja of Opobo.

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