Igbo student at domestic sewing lessons, taken by Drs. G.W. (Gerrit Willem) Grootenhuis, 1967.
In 1967, a photograph taken by Dr. Gerrit Willem Grootenhuis captured a significant moment in the education of an Igbo student engaged in domestic sewing lessons. This image reflects broader socio-cultural and economic efforts to empower women and young learners within Igbo…
Mazi Alvan Ikoku, whose portrait graces the Nigerian 10 naira note, is one of Nigeria’s most celebrated educationists. Despite this honour, few Nigerians truly understand his contributions to education, nationalism, and community development. This paper delves into Ikoku’s life, exploring the events and achievements that merited his enduring legacy on Nigerian currency and in history.
Who…
Igbo lady decorating house walls with uli, Igboland. Photo by Margaret Courtney-Clarke, late 1980s.
Uli art, a distinctive form of body and wall decoration traditionally practiced by Igbo women, represents a unique cultural heritage in Igboland. This art form utilizes fluid, abstract motifs applied to walls, bodies, and ceremonial structures, often with deep symbolic meanings tied…
Akwete (Ndoki Igbo) Weaver (Postcard).
Akwete cloth, woven by the Ndoki Igbo people, represents a rich textile tradition with deep roots in Southeastern Nigeria. Traditionally, the town of Akwete has been most closely associated with this craft, yet the origins and techniques of weaving in this region are a shared legacy among the Ndoki communities. A…
Amanyanabo Edward Asimini William Dappa Pepple III, the king of Bonny in Ovation International magazine, dressed in Ikaki bite (tortoise cloth) which is made in Akwete.
The Rivers people in Nigeria, historically known for their patronage rather than production of textiles, have played a crucial role in the survival and evolution of Akwete weaving—a unique textile…
Musicians and chorus at the Okumkpa performance, Mgbom village, Afikpo Village-Group (Cross River Igbo area), Nigeria, 1959-1960. Photo: Simon Ottenberg.
The Igbo people of Nigeria are known for their rich cultural heritage, and one of the most captivating aspects of this heritage is their masquerade traditions. In Afikpo, a town in southeastern Nigeria, the Okumkpa masquerade…
Onicha Chief dancing egwu ọta, Ofala Festival
At the center of the cultural way of life amoung ndi Igbo, Egwu-Ota is a revered practice that is cherished amoung Ndi ichie, Obi, and red cap chiefs. This tradition of melody holds an important role in the festivity of various Igbo communities , mostly the elaborate Ite Omatu…
The Diobu were originally linked to the Okrikans by trade and intermarriage and the anglicization of both Okrika abc and Diobu furthered the bond between the two communities.
As a result of the Anglican Church's earlier penetration into the Ijaw country, Ijaw missionaries and educators (some of Okrikan origin) became the Diobu's first ministers and teachers.
The…
Sketch of Igbo Cosmology / Unknown source.
Many have misunderstood the concept of "Chukwu" in Igbo culture. That confusion arose partly due to colonialism and missionization that sought to reform Igbo understandings of deity to better fit Judeo-Christian beliefs about one all-powerful God . However, Igbo worship was historically a belief in many gods, each…
Mgbedike Masquerade of Nri-Oka, Seen in Okitipupa, Ondo State 1940s
Igbo people, from ancient times have been proven to be travelers and sojourners, their exploration spirit has most times led them to settle in distant areas s including parts of Ile Ife down to benin areas.
However, certain misconceptions for long time has clouded the history of…