Photographs

Image records

Historic photographs are shown with date, place, holder and reuse status.

Source context not recorded

Untitled photograph — 244378587_10209322379333827_2329405095169967738_n

Reference OZ-M-3183 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Untitled photograph — images-2-2

Reference OZ-M-3184 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Oru People: The Oru-Igbo and Their Aquatic Civilization

Reference OZ-M-3185 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

The Rebellious Heritage of Anioma in Onicha Olona : Ekumeku in the Hardship Against British Exploitation

Reference OZ-M-3186 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Obi Onicha Olona

Reference OZ-M-3187 · No licence recorded · reuse not granted

Record, provenance and how to cite it

©doziearts

Untitled photograph — images (65)

Reference OZ-M-3188 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Untitled photograph — images-2

Reference OZ-M-3189 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Flag of Ijaw People / By Bayelsa State Government. – https://bayelsastate.gov.ng/, CC0

Reference OZ-M-3190 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

An Ijaw mask / By cliff1066 – Flickr [1], CC BY 2.0

Reference OZ-M-3191 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Map showing Ijaw (Ijo) area in Nigeria / By CommonRollebon (talk) and commons – drawing on the images File:Africa_topography_map_with_borders.png and File:Africa_satellite_orthographic.jpg, CC BY-SA 3.0

Reference OZ-M-3192 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

“The many faces of your enemies” (Ijaw statue); exhibited in the New Orleans Museum of Art / By Quinn Dombrowski from Chicago, USA – The many faces of your enemies, CC BY-SA 2.0

Reference OZ-M-3193 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

ọjà / By Susangesare – Own work, CC BY-SA 4.0

Reference OZ-M-3194 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

this flute was used as a communication tool and during festivals as an instrument / By Susangesare – Own work, CC BY-SA 4.0

Reference OZ-M-3195 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Types of Flutes

Reference OZ-M-3196 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Untitled photograph — oja2

Reference OZ-M-3197 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Obi of Obomkpa, HRM Onyemaechi Kanyinaga

Reference OZ-M-3198 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

An Igbo man with facial marks of nobility known as ichi in G. T. Basden’s Among the Ibos of Nigeria (London: Seeley, Service & Co., 1921), 184.

Reference OZ-M-3199 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

A photo of a man with ichi marks in Northcote W. Thomas’s Anthropological Report on the Ibo-Speaking People of Nigeria (London: Harrison and Sons, 1913), Plate XVII.

Reference OZ-M-3200 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Obi of Obomkpa, HRM Obi Onyemaechi Kanyinaga

Reference OZ-M-3201 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Untitled photograph — festival-2

Reference OZ-M-3202 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Uli-like motifs in hair design. Left: ‘Nwamadu’, photographed by Northcote W. Thomas in Awka, present-day Anambra State, Nigeria, in 1910 (NWT 1834a, RAI 400.17577); Right: ‘Mboye’ , photographed by Northcote W. Thomas in Nibo, present-day Anambra State, Nigeria, in 1911. Note the smudge of nzu chalk on his left eyelid. (NWT 3172, MAA P.31389.)

Reference OZ-M-3203 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Uli motifs are part of a larger group of artistic styles that also includes hair and facial scarification designs. The photographs below show examples of feminine hair and scarification designs. Left: “Girl with (?)ohgba hair,” taken by Northcote W. Thomas in Igbariam, which is now in Anambra State, Nigeria, in 1911 (NWT 3853, RAI 400.19946). Right: “Isi Agboefi” maiden spirit mask, also taken by Northcote W. Thomas in Nimo, present-day Anambra State, Nigeria, in 1911 (NWT 2970, RAI 400.16379). These images demonstrate the important connection between personal and community expressions of identity in Igbo culture.

Reference OZ-M-3204 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Source context not recorded

Left: Body painting in Fugar, present-day Edo State, Nigeria. Photographed by Northcote W. Thomas in 1909 (NWT 1072, RAI 400.19719). Right: Two women making uli in Achalla, present-day Anambra State, Nigeria. Photographed by Northcote W. Thomas in 1911 (NWT 3751, MAA P.31898).

Reference OZ-M-3205 · No licence recorded · reuse not granted

Record, provenance and how to cite it

Reference OZ-M-3206 · No licence recorded · reuse not granted

Record, provenance and how to cite it