Photographs

Image records

Historic photographs are shown with date, place, holder and reuse status.

Source context not recorded

Untitled photograph — Iguaro-Nri-Festival-768×432

Reference OZ-M-347 · No licence recorded · reuse not granted

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Northcote Thomas Collection / University of Cambridge Museum of Archaeology and Anthropology

A community gathering during a lunar festival, illustrating the social importance of the moon in regulating communal rest and celebration. Photo Credit: Northcote Thomas Collection / University of Cambridge Museum of Archaeology and Anthropology.

Reference OZ-M-348 · No licence recorded · reuse not granted

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National Commission for Museums and Monuments, Nigeria / Ethnographic Gallery

A historical image of Igbo women participating in a moonlit ritual dance, celebrating the lunar influence on fertility and life cycles. Photo Credit: National Commission for Museums and Monuments, Nigeria / Ethnographic Gallery.

Reference OZ-M-349 · No licence recorded · reuse not granted

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Nigerian Field Society / Historical Cultural Series

A nursing mother in the 1940s, adorned with traditional chalk (Nzu) signifying the joy and purity associated with a successful birth. Photo Credit: Nigerian Field Society / Historical Cultural Series.

Reference OZ-M-350 · No licence recorded · reuse not granted

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Northcote Thomas Collection / University of Cambridge Museum of Archaeology and Anthropology

An archival photograph of a traditional naming ceremony, where the child is formally welcomed into the lineage by the elders. Photo Credit: Northcote Thomas Collection / University of Cambridge Museum of Archaeology and Anthropology.

Reference OZ-M-351 · No licence recorded · reuse not granted

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National Commission for Museums and Monuments, Nigeria / Ethnographic Gallery

A mother and newborn in the traditional setting where postpartum massage and heat treatments were administered. Photo Credit: National Commission for Museums and Monuments, Nigeria / Ethnographic Gallery.

Reference OZ-M-352 · No licence recorded · reuse not granted

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Northcote Thomas Collection / University of Cambridge Museum of Archaeology and Anthropology

A vintage portrait of an Igbo maiden adorned with Uli body art in preparation for a ceremonial outing. Photo Credit: Northcote Thomas Collection / University of Cambridge Museum of Archaeology and Anthropology.

Reference OZ-M-353 · No licence recorded · reuse not granted

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National Commission for Museums and Monuments, Nigeria / Ethnographic Photo Archive

Close-up of traditional Uli patterns on the skin, showcasing the precision and characteristic use of thin, curvilinear lines. Photo Credit: National Commission for Museums and Monuments, Nigeria / Ethnographic Photo Archive.

Reference OZ-M-354 · No licence recorded · reuse not granted

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G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge

An archival 1930s photograph of an Igbo woman applying Uli designs to a peer, demonstrating the collaborative nature of this art form. Photo Credit: G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge.

Reference OZ-M-355 · No licence recorded · reuse not granted

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Getty Images

A Western Igbo fisherman expertly throwing a cast net into the River Niger, a technique passed down through generations. Photo Credit: National Archives of Nigeria / Ethnographic Photographic Series.

Reference OZ-M-356 · No licence recorded · reuse not granted

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Pitt Rivers Museum, University of Oxford / Historical World Photography

A historical scene of riverine life in the Anioma region, where the daily activities of washing, fishing, and transport blend with traditional customs. Photo Credit: Pitt Rivers Museum, University of Oxford / Historical World Photography.

Reference OZ-M-357 · No licence recorded · reuse not granted

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G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge

A traditional Igbo fish trap, intricately woven from local raffia fibers, used in the shallow tributaries of the Niger Delta. Photo Credit: G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge.

Reference OZ-M-358 · No licence recorded · reuse not granted

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Fotos-by-Fola

Elders gathered for the ritual breaking of the kola nut, the highest form of hospitality and greeting in Igbo tradition. Photo Credit: National Commission for Museums and Monuments, Nigeria / Ethnographic Photo Series.

Reference OZ-M-359 · No licence recorded · reuse not granted

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G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge

An archival photograph showing the traditional kneeling greeting performed by a young girl as a mark of respect toward a village elder. Photo Credit: G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge.

Reference OZ-M-360 · No licence recorded · reuse not granted

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National Archives of Nigeria / Thomas Northcote Collection

Photo Credit: National Archives of Nigeria / Thomas Northcote Collection.

Reference OZ-M-361 · No licence recorded · reuse not granted

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Nigerian Museum of Colonial History / National Archives

An archival photo of young men during an Iwa Akwa ceremony, marking their transition from youth to adult responsibilities within the community. Photo Credit: Nigerian Museum of Colonial History / National Archives.

Reference OZ-M-362 · No licence recorded · reuse not granted

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G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge

Members of a village age-grade participating in a communal labor project, a core responsibility of the Ọgbo system. Photo Credit: G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge.

Reference OZ-M-363 · No licence recorded · reuse not granted

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National Archives of Nigeria / Thomas Northcote Collection

A group portrait of a men’s age-grade from the early colonial period, representing the collective strength and unity of the peer group. Photo Credit: National Archives of Nigeria / Thomas Northcote Collection.

Reference OZ-M-364 · No licence recorded · reuse not granted

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Herbert M. Cole Collection / Museum of Cultural History, UCLA

An archival 1930s photograph of a Mbari house, showcasing the complex artistic dedication to the Earth Goddess within a sacred space. Photo Credit: Herbert M. Cole Collection / Museum of Cultural History, UCLA.

Reference OZ-M-365 · No licence recorded · reuse not granted

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National Commission for Museums and Monuments, Nigeria / Ethnographic Gallery

A traditional statue of the Earth Goddess Ala, the guardian of morality and the protector of the natural world in Igboland. Photo Credit: National Commission for Museums and Monuments, Nigeria / Ethnographic Gallery.

Reference OZ-M-366 · No licence recorded · reuse not granted

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G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge

A historical view of an Ihu Ala entrance, where the density of the forest serves as a natural wall between the profane and the sacred. Photo Credit: G.I. Jones Archives / Museum of Archaeology and Anthropology, University of Cambridge.

Reference OZ-M-367 · No licence recorded · reuse not granted

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Source context not recorded

Onitsha-Asaba Ferry over the Niger, National Geographic, September 1956.

Reference OZ-M-368 · No licence recorded · reuse not granted

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Source context not recorded

Postcard found in Umuahia of four children cared for by Methodist missionaries in southeastern Nigeria, c. 1916. USC Digital Library.

Reference OZ-M-369 · No licence recorded · reuse not granted

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Source context not recorded

Untitled photograph — EVpKsLhXYAADabO

Reference OZ-M-370 · No licence recorded · reuse not granted

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