Photographs

Image records

Historic photographs are shown with date, place, holder and reuse status.

LordSnow242, via Wikimedia Commons

A historic map illustrating the location and territorial extent of the Warri (Iwere) Kingdom not long after its founding is useful for contextualizing the migration and settlement patterns following Ginuwa’s arrival around c.1480 AD. Photo credit: LordSnow242, via Wikimedia Commons.

Reference OZ-M-638 · No licence recorded · reuse not granted

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Adesolive, via Wikimedia Commons

A bronze (brass) sculpture depicting a warrior or dignitary of the Benin Kingdom an example of the Ìgùn Ẹ̀rọ̀ǹwọ̀n artisans’ skill at creating sculptural figures as part of palace art. Photo credit: Adesolive, via Wikimedia Commons.

Reference OZ-M-639 · No licence recorded · reuse not granted

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Fæ,via Wikimedia Commons

A cast brass plaque from the Kingdom of Benin typical of the richly detailed relief panels that decorated the Oba’s palace and narrated court life, history, and hierarchy. Photo credit: Fæ,via Wikimedia Commons.

Reference OZ-M-640 · No licence recorded · reuse not granted

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Warofdreams, via Wikimedia Commons

A group of Benin Bronzes (brass/bronze plaques and figures) as displayed in the British Museum. These cast works were originally part of the royal palace complex and court art produced by expert guild artisans using the lost-wax casting technique. Photo credit: Warofdreams, via Wikimedia Commons.

Reference OZ-M-641 · No licence recorded · reuse not granted

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Mike Peel

Another view of carved Igbo architectural woodwork exhibited at the British Museum, illustrating how wood panels functioned as architectural ornament and cultural signifiers. Photo credit: Marsupium, via Wikimedia Commons.

Reference OZ-M-642 · No licence recorded · reuse not granted

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Mike Peel

Another view of carved Igbo architectural woodwork exhibited at the British Museum, illustrating how wood panels functioned as architectural ornament and cultural signifiers. Photo credit: Marsupium, via Wikimedia Commons.

Reference OZ-M-643 · No licence recorded · reuse not granted

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Ochiwar, via Wikimedia Commons

A carved Igbo door from Umunocha village, Awka-Etiti, Anambra State reflecting the intricate artistic woodwork used in traditional Igbo architecture for entrances to compounds or significant rooms. Photo credit: Ochiwar, via Wikimedia Commons.

Reference OZ-M-644 · No licence recorded · reuse not granted

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Source context not recorded

A carved wooden door panel of the Igbo people on display at the British Museum. These panels were traditionally installed at the entrance of an obi (male meeting house) and signified status, wealth, and social roles within the community. Photo credit:Marsupium, (Public Domain), Wikimedia Commons

Reference OZ-M-645 · Licence Public domain (as stated by the record)

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Blackwell original drums

BOD-Udu-at-Boddrums-photo credit: Blackwell original drums

Reference OZ-M-646 · No licence recorded · reuse not granted

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spencer museum of art

udu (pot-drum), 1925–1990. Photo credit: spencer museum of art

Reference OZ-M-647 · No licence recorded · reuse not granted

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cargocollective.com

udu. Photo credit: cargocollective.com

Reference OZ-M-648 · No licence recorded · reuse not granted

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asza.com

udu. Photo credit : asza.com

Reference OZ-M-649 · No licence recorded · reuse not granted

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Billy Hathorn, via Wikimedia Commons

A canon displayed at Fort Sumter (U.S.) can be used to demonstrate the worldwide practice of converting historical artillery into display / museum pieces. Photo credit: Billy Hathorn, via Wikimedia Commons.

Reference OZ-M-650 · No licence recorded · reuse not granted

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Altes, via Wikimedia Commons

A historic cannon accompanied by cannonballs in a museum display parallels how cannons in Africa are exhibited today. Photo credit: Altes, via Wikimedia Commons.

Reference OZ-M-651 · No licence recorded · reuse not granted

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Jürgen Kehrberger, via Wikimedia Commons

A cannon shown on exhibition in a museum useful to illustrate how artillery pieces shift from tools of war to objects of display and prestige. Photo credit: Jürgen Kehrberger, via Wikimedia Commons.

Reference OZ-M-652 · No licence recorded · reuse not granted

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Nzagha David Eze, via Wikimedia Commons

A blacksmith operating the bellows to heat iron illustrating traditional techniques closely connected with forging firearm components before colonial restrictions. Photo credit:Nzagha David Eze, via Wikimedia Commons.

Reference OZ-M-653 · No licence recorded · reuse not granted

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Charlesnike, via Wikimedia Commons

A wide scene of blacksmithing activity in Upo village, different community context but illustrates traditional ironwork tools, bellows, anvil, and workshop layout useful for comparative visuals. Photo credit: Charlesnike, via Wikimedia Commons.

Reference OZ-M-654 · No licence recorded · reuse not granted

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Friday musa, via Wikimedia Commons

A blacksmith forging tools in Kaduna visually different region and style, good for showing diversity in African smithing workshops. Photo credit: Friday musa, via Wikimedia Commons.

Reference OZ-M-655 · No licence recorded · reuse not granted

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Hajjare, via Wikimedia Commons

A young apprentice assisting in a smithy helps illustrate the transmission of indigenous technological skills across generations. Photo credit: Hajjare, via Wikimedia Commons.

Reference OZ-M-656 · No licence recorded · reuse not granted

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Hajjare, via Wikimedia Commons

Nigerian blacksmith at work forging metal useful to represent indigenous metalworking traditions like those at Nkwerre. Photo credit: Hajjare, via Wikimedia Commons.

Reference OZ-M-657 · No licence recorded · reuse not granted

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Map of Nkwerre. Photo credit; Public domain/ Wikimedia commons.

Reference OZ-M-658 · Licence Public domain (as stated by the record)

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Hajjare, via Wikimedia Commons

Traditional blacksmiths at a workshop visually represented the kind of indigenous workshop environment where tools and weapons were made.Photo credit: Hajjare, via Wikimedia Commons.

Reference OZ-M-659 · No licence recorded · reuse not granted

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Source context not recorded

Map of Nkwerre. Photo credit; Public domain/ Wikimedia commons.

Reference OZ-M-660 · Licence Public domain (as stated by the record)

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Source context not recorded

Onitsha Women of Status (Courtesy – Onura Nzekwu 1983)

Reference OZ-M-661 · No licence recorded · reuse not granted

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