The transatlantic slave trade not only dispersed millions of Igbo people across the Atlantic world but also carried their cultural, spiritual, and artistic traditions into the Caribbean. Among the most enduring and visually striking of these cultural survivals are masquerade traditions and ritual performances deeply rooted in Igbo cosmology. The book Igbo in the Atlantic…
Between the seventeenth and nineteenth centuries, the massive forced migration of Igbo speakers from the Bight of Biafra to the Caribbean left deep cultural and linguistic imprints on the region. As a major origin zone of enslaved Africans, Igbo-speaking societies contributed significantly to the formation of creole languages in islands such as Jamaica, Barbados, Trinidad…
The forced migration of Igbo-speaking peoples from the Bight of Biafra to the Caribbean and wider Americas between the seventeenth and nineteenth centuries led to the transmission of important musical traditions across the Atlantic. Among the most enduring of these traditions was the Igbo drum culture, its rhythms, construction techniques, ceremonial uses, and symbolic…
Abstract The music of Jamaica’s Jonkonnu and Cuba’s Carabali reveals a rich legacy influenced by the Biafran Africans forcibly relocated to the Caribbean during the transatlantic slave trade from 1700s to 1830s. Instruments, rhythmic patterns, and cultural practices reflect an indelible connection among Biafra (present-day Nigeria), Jamaica, and Cuba. This article delves into the historical…
Introduction The Caribbean and Americas are cultural mosaics where traditions from Africa have been preserved, adapted, and disseminated through centuries of displacement and cultural exchange. Among these traditions, masking holds a significant place. This article explores the detailed links between the masking traditions of the Bight of Biafra, specifically Igboland, and the vibrant masquerade practices…