Howard University, Washington D.C.—the academic ground where Igbo voices converged. Image credits; Getty images
In April 2010, within the historic halls of Howard University in Washington, D.C., a quiet renaissance unfolded. The annual Igbo Studies Association (ISA) Conference had drawn together some of the finest minds of the Igbo world; historians, artists, linguists, and philosophers, each…
Young Dr Alban. Credit: 90sartists
In the vast rhythm of world music, few beats are as distinctive as that of Dr. Alban Uzoma Nwapa, the Nigerian-born, Sweden-based musician who carried the Igbo spirit into the global pop stage of the 1990s. Known for his chart-topping hit “It’s My Life” , Dr Alban is not just…
Dehlia Victoria Umunna. Source: Harvard Law School - Harvard University
The hum of conversation filled the air as students entered Harvard Law School’s Ames Courtroom, where Professor Dehlia Victoria Umunna stood poised to teach. Her calm authority and deep compassion filled the room, yet her journey had begun far from the polished corridors of Cambridge, Massachusetts.…
In the rich tapestry of African storytelling, one name stands like a steadfast tree by the banks of memory: Vincent Chukwuemeka Ike. A novelist, scholar, and monarch, Ike bridged the world of tradition and modernity through stories that spoke in the familiar rhythm of Igbo proverbs, laughter, and humanity.
Born in Ndikelionwu, Anambra State,…
Colorful Hollandais on display, but Africa's own Akwete and Ukara tell our real stories. Photo: Ukpuru
African textiles are like colorful books full of stories, history, and culture. Fabrics like Kente from Ghana or Ukara from Nigeria carry deep meanings, passed down from our ancestors. But in markets across Africa and beyond,…
Cane Cutters in Jamaica. Photo: National Maritime Museum
The Igbo people of southeastern Nigeria have a long history of resilience, culture, and survival. During the transatlantic slave trade, many Igbo individuals were forcibly taken to different parts of the world, including Jamaica, Sierra Leone, and the United States. Despite the harsh realities of slavery and displacement,…
Pole Vaulting, Abiriba School, today's Abia State, ca. 1930-1940. USC Digital Library.
Education in colonial Nigeria was largely controlled by Christian missionaries who used it as a tool for religious conversion and cultural transformation. In Abiriba, a prominent Igbo town in today’s Abia State, mission schools became central to this process. The image of pole vaulting…
Abstract
Jamaican Patwa, a Creole language born from the transatlantic slave trade, carries profound linguistic and cultural imprints of West African languages, particularly Igbo. One striking area of this influence is the naming structure of body parts in Patwa, which reflects the descriptive and symbolic tendencies of the Igbo language. This article explores the linguistic…
Introduction
The Caribbean and Americas are cultural mosaics where traditions from Africa have been preserved, adapted, and disseminated through centuries of displacement and cultural exchange. Among these traditions, masking holds a significant place. This article explores the detailed links between the masking traditions of the Bight of Biafra, specifically Igboland, and the vibrant masquerade practices…

It is possible that the elder Onyeso in the photograph is the son of Eze Nri Enweleana and the father of the current Eze Nri, Nri Enwelana, Eze Nri Onyeso.
Traditional Igbo Attire: The Ótógbo Robe
One of the most striking aspects of the photograph is the attire worn by the man from Mgbakwu and the elder Onyeso. Both individuals are dressed in long, flowing robes known as ótógbo, a traditional garment that was commonly worn by Igbo men during the early 20th century. The ótógbo robe features wide, round necklines and open sides, providing comfort and ease of movement. The robe is not only a functional garment but also a symbol of status and cultural pride. In Igbo society, men who held titles or occupied important roles within their communities often wore the ótógbo, making it a visual marker of respect and prestige. Interestingly, the term ótógbo is also used by neighboring ethnic groups, including the Idoma and Igala, highlighting the shared cultural influences in the region.The Significance of Elder Onyeso
The titled elder Onyeso is an important figure in this photograph, and his possible connection to the Nri Kingdom adds an intriguing layer of historical significance. According to oral tradition and historical accounts, it is likely that Onyeso was the son of Eze Nri Enweleana, the revered monarch of the Nri Kingdom—one of the most important and influential states in pre-colonial Igbo society. The Nri Kingdom was known for its spiritual leadership, as the Nri ruler was considered the custodian of Igbo religious and cultural practices. Onyeso’s position within this lineage suggests that he played a key role in the leadership of the Nri people, further solidifying his status as an elder of great importance. It is also possible that Onyeso was the father of the current Eze Nri, Nri Enwelana, who carries the title of Eze Nri Onyeso today, continuing the legacy of this influential family. The photograph, therefore, not only captures a moment in time but also connects the viewer to a rich history of Igbo political and spiritual life.
The Nri Kingdom and its Influence on Igbo Society
The Nri Kingdom, often considered the spiritual heart of the Igbo people, played a crucial role in shaping the cultural and religious practices of surrounding communities, including Mgbakwu. The Nri rulers, or Eze Nri, were not just political leaders but also spiritual figures who maintained a non-violent reign, emphasizing peace and the preservation of Igbo traditions. They were considered intermediaries between the people and the gods, and their authority extended beyond their own territory. The influence of the Nri Kingdom can be seen in the continuation of certain customs, including the wearing of specific regalia such as the ótógbo, and in the adherence to societal structures like the age-grade system, which is central to Igbo social organization. The photograph of Onyeso is a reminder of the enduring legacy of the Nri leadership and its impact on the cultural identity of the Igbo people.