Members of an age-grade group celebrating the Iwa Akwa Festival, showcasing the communal spirit of the event. Photo Credit: OU Travel and Tour.
In the vibrant streets of Obowo, a proud Igbo community in Imo State, Nigeria, coming alive with the rhythmic pulse of drums and the colorful display of young men stepping into manhood. This…
One of the Ezumezu Igbere Age grade identified as “Obi Ebiri” - ABN TV.
Imagine a small town nestled in the rolling hills of Abia State, Nigeria, where every three years the streets burst into life with music, dance, and the chatter of a community coming together. This is Igbere, a proud Igbo clan in Bende…
In 1939, British colonial art historian K. C. Murray photographed a group of young men belonging to the ogbolo age-grade in Achala, a community in the north-central Igbo area of Nigeria. This photograph, notable for its depiction of the young men adorned with uli body art and finely styled hair, captures a significant moment in…

It is possible that the elder Onyeso in the photograph is the son of Eze Nri Enweleana and the father of the current Eze Nri, Nri Enwelana, Eze Nri Onyeso.
Traditional Igbo Attire: The Ótógbo Robe
One of the most striking aspects of the photograph is the attire worn by the man from Mgbakwu and the elder Onyeso. Both individuals are dressed in long, flowing robes known as ótógbo, a traditional garment that was commonly worn by Igbo men during the early 20th century. The ótógbo robe features wide, round necklines and open sides, providing comfort and ease of movement. The robe is not only a functional garment but also a symbol of status and cultural pride. In Igbo society, men who held titles or occupied important roles within their communities often wore the ótógbo, making it a visual marker of respect and prestige. Interestingly, the term ótógbo is also used by neighboring ethnic groups, including the Idoma and Igala, highlighting the shared cultural influences in the region.The Significance of Elder Onyeso
The titled elder Onyeso is an important figure in this photograph, and his possible connection to the Nri Kingdom adds an intriguing layer of historical significance. According to oral tradition and historical accounts, it is likely that Onyeso was the son of Eze Nri Enweleana, the revered monarch of the Nri Kingdom—one of the most important and influential states in pre-colonial Igbo society. The Nri Kingdom was known for its spiritual leadership, as the Nri ruler was considered the custodian of Igbo religious and cultural practices. Onyeso’s position within this lineage suggests that he played a key role in the leadership of the Nri people, further solidifying his status as an elder of great importance. It is also possible that Onyeso was the father of the current Eze Nri, Nri Enwelana, who carries the title of Eze Nri Onyeso today, continuing the legacy of this influential family. The photograph, therefore, not only captures a moment in time but also connects the viewer to a rich history of Igbo political and spiritual life.
The Nri Kingdom and its Influence on Igbo Society
The Nri Kingdom, often considered the spiritual heart of the Igbo people, played a crucial role in shaping the cultural and religious practices of surrounding communities, including Mgbakwu. The Nri rulers, or Eze Nri, were not just political leaders but also spiritual figures who maintained a non-violent reign, emphasizing peace and the preservation of Igbo traditions. They were considered intermediaries between the people and the gods, and their authority extended beyond their own territory. The influence of the Nri Kingdom can be seen in the continuation of certain customs, including the wearing of specific regalia such as the ótógbo, and in the adherence to societal structures like the age-grade system, which is central to Igbo social organization. The photograph of Onyeso is a reminder of the enduring legacy of the Nri leadership and its impact on the cultural identity of the Igbo people.