Unidentified women photographed by Henry Crosse with the Royal Niger Company, c. 1886–1895. Museum of Archaeology and Anthropology, Cambridge. It is plausible to identify the woman on the left as Omu Nwagboka, the last Omu of Onicha (Onitsha).
Omu Nwagboka
Omu Nwagboka was a prominent and wealthy trader, appointed as Omu in 1884 by Obi Anazonwu, the…
Chief Sen. Azuta Mbata
Former Senator John Azuta-Mbata, 65, has been elected the new President-General of Ohanaeze Ndigbo Worldwide, marking a historic milestone as the first Ikwerre man to lead the prominent Igbo socio-cultural organization. Sen. Azuta Mbata, who represented Rivers East Senatorial District from 1999 to 2007, was chosen as the 13th President-General during an…
A titled Igbo woman, Ndoni, present day Rivers State, Nigeria.Lower Niger French Catholic mission postcard, turn of the 20th century.
The history and culture of the Igbo people in Nigeria are steeped in rich traditions, one of which includes the remarkable heritage of Ndoni, located in present-day Rivers State. Among these traditions, the title “Une Grande…
In the spiritual and cultural landscape of the Igbo people, the azụ anya mmụọ or Anya mmụọ—literally translating to “eyes of the spirits”—holds profound significance. This wooden openwork panel, typically located in front of the obi (the central household of a patriarch) in the north-central Igbo area, serves as a boundary between the living world…

It is possible that the elder Onyeso in the photograph is the son of Eze Nri Enweleana and the father of the current Eze Nri, Nri Enwelana, Eze Nri Onyeso.
Traditional Igbo Attire: The Ótógbo Robe
One of the most striking aspects of the photograph is the attire worn by the man from Mgbakwu and the elder Onyeso. Both individuals are dressed in long, flowing robes known as ótógbo, a traditional garment that was commonly worn by Igbo men during the early 20th century. The ótógbo robe features wide, round necklines and open sides, providing comfort and ease of movement. The robe is not only a functional garment but also a symbol of status and cultural pride. In Igbo society, men who held titles or occupied important roles within their communities often wore the ótógbo, making it a visual marker of respect and prestige. Interestingly, the term ótógbo is also used by neighboring ethnic groups, including the Idoma and Igala, highlighting the shared cultural influences in the region.The Significance of Elder Onyeso
The titled elder Onyeso is an important figure in this photograph, and his possible connection to the Nri Kingdom adds an intriguing layer of historical significance. According to oral tradition and historical accounts, it is likely that Onyeso was the son of Eze Nri Enweleana, the revered monarch of the Nri Kingdom—one of the most important and influential states in pre-colonial Igbo society. The Nri Kingdom was known for its spiritual leadership, as the Nri ruler was considered the custodian of Igbo religious and cultural practices. Onyeso’s position within this lineage suggests that he played a key role in the leadership of the Nri people, further solidifying his status as an elder of great importance. It is also possible that Onyeso was the father of the current Eze Nri, Nri Enwelana, who carries the title of Eze Nri Onyeso today, continuing the legacy of this influential family. The photograph, therefore, not only captures a moment in time but also connects the viewer to a rich history of Igbo political and spiritual life.
The Nri Kingdom and its Influence on Igbo Society
The Nri Kingdom, often considered the spiritual heart of the Igbo people, played a crucial role in shaping the cultural and religious practices of surrounding communities, including Mgbakwu. The Nri rulers, or Eze Nri, were not just political leaders but also spiritual figures who maintained a non-violent reign, emphasizing peace and the preservation of Igbo traditions. They were considered intermediaries between the people and the gods, and their authority extended beyond their own territory. The influence of the Nri Kingdom can be seen in the continuation of certain customs, including the wearing of specific regalia such as the ótógbo, and in the adherence to societal structures like the age-grade system, which is central to Igbo social organization. The photograph of Onyeso is a reminder of the enduring legacy of the Nri leadership and its impact on the cultural identity of the Igbo people.